In "Taking Advantage of the Acoustics," Impressively, at the Adler Theatre in Davenport, Wilco Plays It a Bit Too Obscure -- Concert Review

Concert Review

Wilco
with Kelly Hogan
July 3, 2012
Adler Theatre, Davenport, IA
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(Hogan's opening set: @@@@1/2)

Prior to Tuesday night, I had seen Wilco in concert 8 times, all within the Chicago city limits.

This stood as the most times I had seen any one artist without any of the shows being beyond the Chicago metropolitan area. (This Pinterest board runs down many of the acts I've seen multiple times.)

While this certainly might sound trivial, and isn't specifically what spurred me to drive to the Quad Cities--I wanted to see the Figge Art Museum, and the chance to also see Wilco made this an opportune time--I was curious as to how Jeff Tweedy and company might adapt outside their home base in Chicago (or even another big city where fawning fans are in abundant supply).

Within the Windy City, Wilco sells every ticket they put on sale (although a few seem to remain for Sunday's show at Fifth Third Bank Ballpark in west suburban Geneva) and several of shows I've seen have been within multi-night stands. The gig I caught last December at the Riviera was fantastic, being heavy on harder guitar-driven songs, but other sets I've seen have included a hefty helping of more atmospheric numbers. It's possible, at least in my mind, that the band mines their catalog a bit deeper when playing to crowds more likely to be filled with hardcore devotees.

In Davenport, I bought a ticket on the day of the show in the seventh of the balcony, with most of the 15 rows behind me completely empty. I wondered if being away from their home turf, where they might actually have to win over fans, could cause Wilco to opt for a more conventional and accessible setlist.

But demonstrating why they're Wilco and I'm not, for much of their set the band played a selection even more obscure and atmospheric than any I readily recall in Chicago. Even though I have all of Wilco's albums and have seen them numerous times, several of the songs they played--particularly during the first half of the show--were beyond my recognition. (See Setlist.fm for the full Davenport setlist.)

Not that they didn't play them well. The six-piece band is amazingly  proficient at replicating intricate studio sounds live on stage, and Glenn Kotche's typically thunderous drumming helped ensure the music never really dragged.

Midway through the show, with "I Am Trying to Break Your Heart" the only near-populist song to that point, Tweedy explained that they hadn't been playing a lot of theaters and thus were "taking advantage of the acoustics."

So it seems that playing a half-full venue in a small Midwestern locale didn't affect Wilco's song choices nearly as much being indoors--in a lovely old theater--did.

Although I much preferred the Riv show, I appreciated this one as a nice complement. Now 15+ years into their career, Wilco has likely established itself as one of the top 30 American bands of all-time. They have an impressive wealth of material, and like Bruce Springsteen, Pearl Jam, Phish and relatively few other live acts within my familiarity, they substantially change up their setlists every show. While I prefer their rockier side, I wouldn't be much of a fan if I couldn't also enjoy them at their more idiosyncratic.

Fortunately, the latter part of the set and encores included more crowd-pleasing--at least for me--stuff such as "I'm Always in Love," "Heavy Metal Drummer," "I'm the Man Who Loves You," "A Shot in the Arm," "California Stars" and "Can't Stand It."

Of course, unlike at other recent tour stops, they didn't end the night by playing a four-song second encore including early gems like "Monday" and "Outtasite (Outta Mind)" off 1996's Being There (still my favorite Wilco album). Rather, they left the stage after playing just one more tune, and one I didn't know at that ("Dreamer in My Dreams").

It was that kind of night. Excellent and enjoyable in its own way--highlighted perhaps by a sensational opening set by an adult-styled singer named Kelly Hogan--but for my Wilco tastes, a bit more obscure than optimal.

Outtasite! Wilco Rocks Riv With Rollicking Show -- Concert Review

Concert Review

Wilco
with Eleventh Dream Day
December 13, 2011
Riviera Theatre, Chicago
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This was the Wilco of my dreams.

You see, I've liked virtually everything the Chicago-based band has done over the last decade, beginning with 2002's Yankee Hotel Foxtrot, an album of great beauty, experimentation and introspection that many consider among the very best of the 21st Century.

But my favorite Wilco album remains 1996's guitar-driven, somewhat Replacementsesque Being There, followed by 1999's Summer Teeth. Although the band, whose personnel beyond singer Jeff Tweedy and bassist John Stirratt has completely changed since the '90s, has rightfully earned worldwide acclaim and swelling popularity, they've more infrequently "rocked"--in the bar chord, pounding drums sense of the word--since the turn of the century.

That's not to say they haven't been good, even excellent, at many of the six Wilco shows I've attended since 2002--plus a once-in-a-lifetime opportunity to see Tweedy perform in a living room--prior to the one on Tuesday night.

The concert was the second of the band's mini-tour of Chicago that saw them play the Civic Opera House on Monday, with shows at The Vic, Metro and Lincoln Hall still to come. I would've liked to go to the Opera House show, but when new tickets were released for the Riv on Friday, I was able to grab a pair. And no matter how good the first show was, or the subsequent ones might be, I'm perfectly satisfied with the one I saw.

For with Tweedy playing an electric guitar most of the show, rather than an acoustic, the band rocked in a way I'd never before witnessed. And kudos to all their sound engineers, because even from the top of the Riv, the sound was phenomenal.

This isn't to imply that Wilco became the Ramones or aforementioned Replacements. A multitude of weird sounds and obtuse textures from the six skilled players were still in ready abundance, such as on the new "Art of Almost" and "Via Chicago," with its breathtakingly thunderous bursts by drummer Glenn Kotche.

Take a look at Wilco's setlist from Tuesday and you won't see that it's full of hits, or even weighted to the early albums.

In fact, there are many songs I would have loved to hear that weren't played. But what was played was performed with such a sonic blast that it didn't matter. And true thumpers like "I Got You (At the End of the Century)," "I Must Be High," "I'm Always In Love," "Can't Stand It," "Just A Kid," "Monday" and "Outtasite (Outta Mind)" ravaged the paint-peeling walls of the 94-year-old, 2,500 capacity venue.

The band played for 2 hours and 20 minutes--the epic "Spiders" in Encore 2 wasn't even the finale, as "I'm A Wheel" followed to end the night--and proved to me like never before that if they aren't America's best rock band, they sure can sound like it when they want to.

Here's just a snippet I shot of "Outtasite (Outta Mind)"